Shirley Crowther Art - Artist Showcase

Peter Archer				Peter makes fine wooden bowls and vessels. Using sycamore, the pieces are turned on a lathe, coloured and hand carved - a delicate and precise process. Rich, subtle staining, intricate carving and elegant lines make these original and beautiful pieces.

Day Bowman				Day Bowman creates paintings of great energy and commitment, being deeply immersed in the actual process of painting and absorbed by the subject matter, which becomes a metaphor for life itself.

Patricia Crowther				Inspired by sea and coastline, Patricia is concerned with the abstract elements of painting - shape, form and space, texture, surface and colour - which she develops using a subdued palette in oils, oil pastel and precious metals.

Carys Davies				Carys makes highly unusual ceramic pieces, thrown on the wheel in porcelain. They combine silk-like glazes with pitted volcanic glaze and her new series include inscriptions.

Anne Davies				Although often alluding to harbour and landscape scenes, there is a strong abstract element to Anne's work, with fine layers of acrylic colour revealing an archaeology of images below the painted surface.

Henrietta Dubrey				Henrietta's abstract paintings in oils on canvas are essentially autobiographical, recording situations, emotions and encounters - stories which evolve through the paint and process of painting.

Carol Farrow				Carol's wallhanging 'paperworks' are created with hand made papers, painted and waxed. The medium creates an almost sculptural quality, tactile and textural, whilst her colour flows across the pieces, or series of pieces, sometimes intense, merging and diffusing into softer tones and hues.

Christina Fedyk				Christina's monoprints have strong graphic imagery, but at the same time have subtle textural qualities in the underlying layers.

Megan Fishpool				Megan specialises in printmaking, concentrating on monotypes and etchings, creating beautiful subtle images with fine texture and colour.

Jo Ganter				Jo is fascinated by space, light and architectural form, reflected by abstract imagery in her etchings, many of which are printed on a very large scale.

Helen Glassford				In her paintings Helen seeks to capture the essence and spirit of her environment, whether it is the vast wildness of the Scottish highlands or the more domestic scale, portraying atomosphere and mood.

Rebecca Gouldson				Rebecca creates one-off etched wall pieces from a variety of metals, including copper, gilding metal and silver, with a rich palette of textures decorating the surface.

Sam Hall				In Sam's ceramics the simplicity of form and use of glaze/oxides used in conjunction with scored line, random marks and a sombre palette, create a tension where drawing and form cohabit together.

Frances Hatch				Frances work involves engaging with particular environments - both emotionally and physically - using mixed media to capture the results. So the painting is expressive and textural, the materials often found in the landscape.

Ursula Kellett				By juxtaposing natural elements (earth and sand from all over the world) with the synthetic (modern paints and varnishes) Ursula produces unpredictable interacting patterns and colour, works which represent both past and present.

Teresa Lawton				Teresa's work is inspired by her surroundings near the Dorset coast, but it is the actual process of painting which is key to her work, creating rich textures and simplifying through abstraction which gives her a unique and personal voice.

Debbie Loane				Based in Yorkshire, Debbie's painting acknowledges the romantic splendour of the Northern landscape, whilst at the same time is conscious of being rooted in the daily practicalities of rural life.

Gilly McCadden				Fresh and minimal, Gilly's small watercolours have a harmonious and pure presence.

Fiona Millais				Fiona's delicate paintings are inspired by landscape and still life but are rarely representational, rather they evolve from memories, drawings and notes; descriptive and evocative.

Frances Murray				Frances uses low technology itaglio printmaking, creating both single works and grid combinations, suggesting metaphorical landscapes and giving rise to meditations in line, texture and colour.

Gill Parry				Gill is inspired by natural organic shapes with their symmetry and imperfections. She uses a heavily grogged stoneware clay to produce a textured surface exploiting the often unexpected interactions between clay, fire and glazes.

Tony Scrivener				Tony's landscapes and still lives are easily recognisable by their distinctive use of line and strong colour palette. Working either in the studio or from field sketchbooks, his bold compositions explore form, colour and texture.

Barry Stedman				Strong, fluid decoration typify Barry's pots. The qualities of texture, energy of applied glazes and variety of colour from lightly applied subtle layers to vibrant splashes give his work a joyful, vibrant feel. Thrown on the wheel, his pots are manipulated into irregular, but simple shapes, and low fired to enhance the colour.

Amanda Wallwork				Amanda's work is concerned with geology and archaeology, and through the process of abstraction and mark-making, reflects the concepts of time and lives past.

Robin Welch				Welch has developed a considerable reputation for his freely constructed individual pots over many decades. He has a broad approach fusing art and form, the full range of his work including large vessels with related paintings, fine drawings, and distinctive ceramic pieces which explore colour, surface texture, form, detail of edge, and line.

Sandra Whitmore				The Sussex countryside, the coast and gardens are the main inspiration for Sandra's abstracted landscapes paintings, using a variety of media,gentle colour, descriptive line and texture to create energy and atmosphere.

Julia Wilson				"Colour is central to Julia's work: the effect it has on the space , the imagination and the senses. The paintings are not abstract, in the formal sense, but are drawn from a visual experience of the landscape.